![]() ![]() “Especially the citron, which we used for a bright yellow café, Le Sans Blague. ![]() “We loved the jewel tones and pops of color,” says Stockhausen, who blended black and white scenes in the film with others in a retro palette. For The French Dispatch, they looked to The Red Balloon-the 1956 short in which postwar Paris, shown as peeling and gray, comes to life in the form of a bouquet of brilliant-colored balloons. Searchlight PicturesĪt the start of every production, Anderson gives his team a list of movies to watch for design cues. We spoke with the film’s production designer Adam Stockhausen and set decorator Rena DeAngelo to get the inside scoop on how they achieved that Frenchified Anderson look. But perhaps the biggest star of all is the epic set, which will no doubt spawn a run on vintage French decor. The movie features Bill Murray as the Kansas-born editor of the French Dispatch, alongside an ensemble cast including Tilda Swinton, Timothée Chalamet, Frances McDormand, Jeffrey Wright, Owen Wilson, and Benicio del Toro. In the movie, the real-life French town of Angoulême stands in for the imaginary village of Ennui-sur-Blasé (translation: Boredom-on-Blasé). His latest movie, The French Dispatch, transports viewers to postwar France, bringing to life a collection of stories from the final issue of a New Yorker–esque American magazine published in a fictional French city. The various editors of the French Dispatch, the fictional magazine in Wes Anderson’s latest film. ![]()
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